Keep A Clear Eye!

For Chris Stowe.

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19 comments… add one

  • Chris Evans Jun 30, 2013

    Great Scene!

    Elliott was definitely one of the highlights of the film.

    Chris

    • Kevin Levin Jun 30, 2013

      They should have centered the entire movie around Sam Elliott. :-)

  • Kaci Nash Jun 30, 2013

    Regardless of anything else about the film, you have to admit there are some fabulous monologues.

  • Michael Lynch Jun 30, 2013

    I really like this movie. I can’t believe the same guy who directed it also did Gods and Generals.

    • Andy Hall Jun 30, 2013

      Maxwell released an extended “director’s cut” of G&G in 2011, that is supposed to more accurately reflect his own, original vision for the film. The new version is apparently less focused on Jackson, more on Chamberlain, and includes a new subplot about John Wilkes Booth that portrays the actor in a negative light. This provoked some rather angry reactions from the usual crowd so you might want to check it out.

      • Kevin Levin Jun 30, 2013

        Looks like Ron Maxwell isn’t happy with the “mainstream media’s” response to Copperhead. http://mhconstitution.com/2013/06/30/ron-maxwell-on-mainstream-media-disconnect-with-copperhead/

        • Andy Hall Jun 30, 2013

          Ah, yes, via Clint Lacy, the guy who thinks non-white people are ruining NASCAR.

        • Mike Musick Jun 30, 2013

          I haven’t seen “Copperhead,” but the “Parade” magazine insert in today’s Washington “Post,” under “Parade Picks,” features three summer movies (“indie gems”), one of which is “Copperhead”: “a powerful, intimate drama about the war’s impact in upstate New York, far from the battlefieds.” Sounds pretty mainstream and positive to me, and at odds with the “culture war” narrative. The film was apparently based on the novel “The Copperhead” (1893) by the well-regarded Utica, New York-born Harold Frederic (1856-1898).

          • Kevin Levin Jun 30, 2013

            Hi Mike,

            Didn’t Ted Turner fund two of his movies? :-) Ron Maxwell has nothing to complain about.

      • Chris Evans Jun 30, 2013

        Yes, the longer version is superior to the theatrical version.

        http://www.movie-censorship.com/report.php?ID=401805 breaks down the differences between the versions.

        Chris

  • Mike Rogers Jun 30, 2013

    Elliott would be an excellent choice to play WT Sherman – if there was to be a movie made about the Atlanta Campaign/March to the Sea, etc.

    • Kevin Levin Jun 30, 2013

      Yeah, WT Sherman meets Roadhouse. Perfect. :-)

      • Mike Rogers Jul 1, 2013

        That’s hilarious. If we’re going with the Roadhouse theme, then the setting will have to change to Vicksburg so US Grant can be hanging out in the bar — scurrying through the back exit when Rawlins comes looking for him.

  • Chris Evans Jun 30, 2013

    It’s really something that so many actors are memorable in ‘Gettysburg’ and really did some of their best work: Lang was inspired as Pickett, Jordan excellent as Armistead, Daniels just perfect as Chamberlain, and Berenger (beard and all) moving as Longstreet.

    Chris

    • Kevin Levin Jun 30, 2013

      Really? Some of their best work? :-)

      • Chris Evans Jun 30, 2013

        I’m biased because I like the film quite a bit despite everything but yes I think some of the actors were really good in there roles and embodied the characters quite a bit. I know Sheen is always singled out but I even like him in it.

        But honestly it is a film I grew up with so I can’t totally be objective about it.

        Chris

        • Kevin Levin Jun 30, 2013

          To each his own. I certainly understand where you are coming from.

  • Christopher Stowe Jul 1, 2013

    Sam should be the pitchman for all products marketed globally. In all media. And he should thump his chest whilst doing so.

    • Kevin Levin Jul 1, 2013

      Keep a clear eye, Stowe.

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