Yesterday I took one final trip up Rt. 20 to Fredericksburg. Apart from a few select pieces I was able to sell the remainder of my Don Troiani collection to a Marine officer, who is going to auction them off to help raise money for the Wounded Warrior project. [More on this at a later date.] It’s one of my favorite drives and it gave me the opportunity to reflect on just how much I am going to miss this place.
I know some people have trouble with these kinds of awards, but since the Society of Civil War Historians has created the prize we can have some fun and suggest a few nominees. Last year Daniel Sutherland won for his outstanding synthesis of guerilla warfare, A Savage Conflict: The Decisive Role of Guerrillas in the American Civil War. You can read Sutherland’s acceptance speech in the latest issue of The Journal of the Civil War Era. Here is the announcement for the 2011 award:
The Society of Civil War Historians is soliciting nominations for the Tom Watson Brown Book Prize for books published in 2011.
All genres of scholarship on the causes, conduct, and effects, broadly defined, of the Civil War are eligible. This includes, but is not exclusive to, monographs, synthetic works presenting original interpretations, and biographies. Works of fiction, poetry, anthologies, and textbooks will not be considered. Jurors will consider nominated works’ scholarly and literary merit as well as the extent to which they make original contributions to our understanding of the period.
Elizabeth R. Varon, Professor of History at the University of Virginia, will chair the prize jury. The other members are Daniel E. Sutherland, Distinguished Professor of History at the University of Arkansas, and J. Matthew Gallman, Professor of History at the University of Florida. Tad Brown, President of the Watson-Brown Foundation, Inc., will serve as a non-voting member of the jury.
Publishers are asked to send nominated books (only those published in 2011 will be considered) directly to the four jurors no later than January 31, 2012. The winner will be announced by August 1, 2012. The award will be presented at the SCWH banquet at the Southern Historical Association meeting, where the winner will deliver a formal address that will be published in a subsequent issue of the Journal of the Civil War Era.
Of course, I could nominate any number of studies that fulfill the requirements included in the prize description, but I am going to limit it to just one. My nomination is George Rable’s, God’s Almost Chosen Peoples: A Religious History of the American Civil War. I suspect that this book will make the short list for most people and that makes two books by UNC Press that are likely to win back to back prizes. That is a testament to the top-notch editorial work of Gary Gallagher.
So, which book do you think deserves to win?
An official count showed about 21,015 people stood in lines with waits ranging from 3 to 7 hours to see the Emancipation Proclamation, which was on display at the The Henry Ford, in Dearborn, Michigan, for 36 straight hours. Meanwhile, the Sons of Confederate Veterans continue their quest for vanity plates in former Confederate states and even states that never seceded.
Here is some more video from the new documentary, Southern Belle. In this segment historians respond to the attempt on the part of the organizers to remove any discussion of slavery from their program. They address the following question: Why would the “yeoman” farmer go to war with no dog in the Civil War fight? The list of historians interviewed includes, R. Blakeslee Gilpin, Assistant Professor of History, University of South Carolina; Carroll Van West, Director, Tennessee Civil War National Heritage Area; Tara McPherson, Professor of Critical Studies, University of Southern California School of Cinematic Arts and Stan Deaton, Director, Georgia Historical Society. Additional films can be viewed on the documentary’s website.
This looks to be a fairly interesting documentary. Here is a brief description:
The Civil War may be long over, but the spirit of rebellion is hard to extinguish even in something as innocent as a girls’ summer camp. Southern Belle is an insider’s look at the 1861 Athenaeum Girls’ School in Columbia, Tennessee, where the antebellum South rises again. Every summer, young women from around the world eagerly sign up to become that iconic and romantic image of southern identity: the southern belle, replete with hoop skirt, hat and gloves, singing the region’s anthem, “Dixie.” However, the camp can only achieve this version of Southern femininity by whitewashing the past. The teachers, all of whom work for no compensation, hope to instill genteel manners and build pride in southern heritage. To accomplish this, they have carefully selected the time period so they can share the “truth” with the next generation about why the South seceded from the Union. For them, the Civil War had little to do with slavery and everything to do with states’ rights and unfair taxation.