Stephen Berry is one of my favorite Civil War historians writing today. He has tackled a wide range of subjects from Civil War soldiers to the Lincolns. Regardless of the topic, I am always challenged by his thorough analysis and creativity of thought. This year’s Bottimore Lecture was delivered by Steve and is focused on the very simple question of what it was like to be shot in the Civil War. I highly recommend taking the time to watch it, but it is his closing remarks that I want to highlight. It’s an incredibly eloquent conclusion that offers a persuasive case for why it is important to remember the men who died in our Civil War.
It is not pleasant, I know, looking real war in its real face. But if we are to make war, we had better know what we are making. For myself, I grant that the Civil War was worth it. it answered forever whether we were a Union of states or one nation indivisible. It answered forever whether a Republican form of government could endure. It answered forever whether a nation dedicated to freedom would be built on the backs of slaves.
But today when I hear folks in the South talking half seriously about secession or hear folks in the North talk seriously about letting the South go or hear folks all over this country forget what Lincoln perfectly understood that the leading object of government is to elevate the condition of men. To lift artificial weights from all shoulders. To clear paths of laudable pursuits for all. To afford all an unfettered start and a fair chance in the race of life. When I hear such ludicrous things said and such important things forgotten I always have a desperate urge to show them the Civil War as it really was.
In this sesquicentennial season of that conflict let us try to remember all that we paid and all that we paid for. And let us take better care of this country and each other.
The remarks above begin at the 45:45 mark in the video. Thanks, Steve.
This BBC documentary hosted by Alistair Cooke, which aired in 1972, is well worth watching if you have the time. The content of the documentary reflects some of the new scholarship on slavery but overall the script is marred by the Lost Cause narrative and a problematic view of Lincoln and, especially, Reconstruction. Some of the places visited by Cooke include the Custis-Lee Mansion, Shiloh National Military Park, Boone Hall Plantation, South Carolina, and Natchez, Mississippi. Enjoy.
[Uploaded to YouTube on October 14, 2014]
Update 2: Guilty as charged. It turns out that I “completely agreed” with a comment that included the word ‘manure’. I was responding to the reference to Baptist. Williams really needs to get a life. Although there is a Part 2 scheduled from Williams, I will do you all a favor and move on.
Update: Hypocrisy lives in Old Virginia. Apparently, Richard Williams disapproves of my reference to him as “insecure” but he has no problem describing me as a “Northern elitist” and “envious.” And how does linking to a story implicate me with every word choice? I simply linked to the story. Unfortunately, this is business as usual for Williams. He should look more closely at the kinds of websites he links to as well as his own track record of generalizing and insulting people that he knows nothing about before he goes after others. [click to continue…]
Update: Check out Joshua Rothman’s take on this story.
What better way to celebrate the 75th anniversary of the release of the movie, “Gone With the Wind” than with a Fall fashion spread inspired by life on an antebellum plantation. That’s exactly what some actress by the name of Blake Lively is doing. I guess this is how one gets old because before today I never heard of this person. Having just finished Baptist’s new book, I have very little patience for such nonsense.
Georgia peaches, sweet tea, and the enticement of a smooth twang…we all love a bit of southern charm. These regional mainstays, along with an innate sense of social poise, evoke an unparalleled warmth and authenticity in style and tradition.
The term “Southern Belle” came to fruition during the Antebellum period (prior to the Civil War), acknowledging women with an inherent social distinction who set the standards for style and appearance. These women epitomized Southern hospitality with a cultivation of beauty and grace, but even more with a captivating and magnetic sensibility. While at times depicted as coy, these belles of the ball, in actuality could command attention with the ease of a hummingbird relishing a pastoral bloom.
Like the debutantes of yesteryear, the authenticity and allure still ring true today. Hoop skirts are replaced by flared and pleated A-lines; oversized straw toppers are transformed into wide-brimmed floppy hats and wool fedoras.
The prowess of artful layering -the southern way- lies in inadvertent combinations. From menswear-inspired overcoats to the fluidity of soft flowing separates, wrap yourself up in tactile layers that elicit a true sense of seasonal lure.
Embrace the season and the magic below the Mason-Dixon with styles as theatric as a Dixie drawl.
Just don’t ask where their allowance for clothing came from or the raw material itself.
The question of how sources ought to be cited in a work of non-fiction history came up again this past week with the release of Karen Abbott’s new book, Liar, Temptress, Soldier, Spy: Four Women Undercover in the Civil War. The book tells the story of four women, who engaged in various acts of espionage during the Civil War. From all the reviews I’ve read this looks like a highly entertaining read, which should come as no surprise given the author’s success with previous books. [click to continue…]