The Edward Sebesta Circus Continues

Thanks to my readers, who are forwarding me links relevant to Edward Sebesta’s recent announcement that he does not want and will refuse the Museum of the Confederacy’s Jefferson Davis Prize for best book on Confederate history if it is awarded.  Turns out that Sebesta is blanketing listservs seeking advice on how best to proceed.  Here is an example from H-Public:

Unfortunately the Museum of the Confederacy (MOC) wants to consider giving my newest book an award. This is a book designed to expose the real nature of the Confederacy and the neo-Confederate movement as being about slavery and white supremacy.  No doubt they think that by giving this award they can co-opt James Loewen and myself and position themselves as different from the rest of the neo-Confederates.

As you know, institutions give awards because by honoring others they honor themselves. I don’t want to honor the Museum of the Confederacy, I don’t want my name or my book be used to legitimize them.

John Coski has approached my co-editor and asked for copies of the book, and despite my strenuous objections copies are going to be sent.  I also wrote five certified letters, four to the judges telling them that I don’t want the award and one with copies of the other four letters sent to the Director of the MOC. One would think this would result in my book being thrown out. However, I got an email from Coski saying basically I had no say in the matter.

I am asking for advice on how to prevent this award from happening. The two strategies I have adopted so far are:

1.    Make my opposition public so that they are more likely to reject my book.

2.    Use this consideration of my book as an opportunity to make my criticisms of the Museum of the Confederacy more widely known.

And there is information on the MOC. A speech by Ludwell Johnson III, given at the Museum of the Confederacy, on his being made a Fellow of the Museum and reprinted in the 3rd quarter 1994 issue of “Southern Partisan” is an appalling denigration of African Americans and African American scholarship. Their book “Before Freedom Came” is explained as a rebuke to Carol Moseley-Braun in his speech.

I think that they still give a Jefferson Davis award is appalling. The man was vile. I read a section on the congressional record where they wanted to help out Africans who were on board a captured slave ship and Jefferson Davis is simply appalling in his opposition to helping out these poor persons sweltering in a slave ship off the coast of Florida.

I am going to write up some essays about the MOC and their activities. I have a file which I am going to review. Perhaps some of the members of this listserve would like to write essays on the MOC.  Again, I am open to some advice to make sure this award doesn’t come to my book. I feel it would be a stain on my reputation. Letter follows my name.

I still have no idea why Sebesta has taken this stance.  As I stated in my last post he seems to be ignorant of the good work that the museum has done to further a scholarly understanding of the Civil War – the very thing that Sebesta and Loewen claim to support.  If the MOC was nothing more than an extension of some “Neo-Confederate” organization than why would they consider his book?  Even more bizarre is the reference to their publication, Before Freedom Came, which I am quite familiar with and have used in the classroom on numerous occasions.  It’s obvious to me that Sebesta does not own a copy nor is there any indication of its contents.  This is an edited collection that includes essays by Drew G. Faust, John Michael Vlach Charles Joyner, Deborah Gray White, David R. Goldfield, and Theresa A. Singleton.  Anyone familiar with the historiography of slavery and the history of the South would be hard pressed to describe these individuals as promoting anything other than a scholarly view of the subject.

As far as I am concerned Sebesta is doing little more than engaging in the slandering of an institution that deserves our full support.  I understand that James Loewen will accept the award, if given, but in the name of education and the promotion of scholarly history Loewen ought to reign in his erratic co-editor.  This must be incredibly embarrassing for him.

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States Rights v. Slavery: No Discernible Difference

Teaching the Civil War in central Virginia offers an interesting perspective on the continuing evolution of our collective memory of the war.  My current course on the Civil War and historical memory includes students from the surrounding counties of Fluvanna and Greene as well as students who grew up in Charlottesville.  Many of the students come from families that fit into this latter category come from other regions of the country.  I spend a great deal of time listening to my students talk about their own perceptions of the war because it gives me a unique perspective on how future commemorations are likely to take shape.

What I learned today is worth sharing.  As far as I can tell there is no discernible difference between the ways in which northern children are taught to understand the cause of secession and war from what can be found in southern schools.  My students who are born and raised in the counties outside of Charlottesville – which we might suspect as being more traditional in focus – shared that they remember learning that slavery was the central issue driving secession.  I had students who attended grade school in New England and Michigan, who remember learning that slavery was ancillary and that states rights was the central reason. The difference seems to be based on individual teachers rather than anything having to do with a sharp cultural divide between regions. That said, over the past few years I’ve noticed that more and more of my students begin their study of the Civil War on the high school level with an appreciation of the role that slavery played in the events leading up to and following Lincoln’s election.

I think this is important to keep in mind given the controversy surrounding the upcoming Secession Ball that has been planned for Charleston later this month as well as future events.  If we listen too closely to the voices that populate our mainstream media we are likely to be bombarded by a language that divides rather than one that is more likely to reflect where we are in our understanding of these important historical issues.  Tonight (5pm) Chris Matthews will interview the SCV’s commander-in-chief on the Secession Ball.  I have no idea who he will be paired up with, but I can guarantee you that we will learn next to nothing about popular perception.  Rather, we will be entertained by watching one side duke it out with another and we will be left with a facile reminder that Americans are still fighting this war.  Well, that may be accurate to a certain extent, but I would suggest that it is less true than it was just a few decades ago. [Update: Looks like the interview was canceled.]

In the end I am not sure how much longer we can continue to manufacture these debates.

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Teaching the Civil War

The History Teacher - November 2010

My most recent publication is now available in the new issue of the November 2010 issue of the journal, The History Teacher.  The essay focuses on how I use Ken Burns’s Civil War documentary in class and is based on a talk I gave back in 2007 at the first biennial meeting of the Society For Civil War Historians.  [Click here to read the essay (pdf file)]

One of the things that I’ve enjoyed most over the past few years is the opportunity to work with fellow history teachers on how we can better teach our subject.  As much as I enjoy sharing what has worked for me with others I have to say that I’ve learned just as much from my colleagues.  This coming year will be incredibly busy in this regard.  In January I will be leading a TAH workshop with W. Fitzhugh Brundage on the Civil War and historical memory and in April I will take part in another workshop here in Virginia that was organized in response to the recent 4th grade history textbook controversy.  I am also involved in an ongoing effort to secure an NEH Grant for a workshop that will take place next summer.  Finally, I am very excited to report that I recently accepted an offer from the New York Times to write an essay on the challenges of teaching the Civil War during the sesquicentennial.

Let’s always remember to teach our children well.

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Which Museum of the Confederacy Are You Protesting?

As many of you know I am a big fan of the Museum of the Confederacy.  In recent years the leadership of the museum as well as their staff have done an admirable job of steering the institution from one of advocacy for a traditional view of the Confederate past to one that promotes and awards the latest scholarship about the history of the Confederacy.  So, you can imagine my surprise when I discovered that, if chosen, Edward Sebesta would refuse to accept the MOC’s Jefferson Davis Award for Civil War scholarship.  You can read Sebesta’s post for yourself, but here is the letter:

I am writing you to tell you that I do not want any book of mine to be considered for any award by the Museum of the Confederacy. More specifically I don’t want “The Confederate and Neo-Confederate Reader,” co-edited by Edward H. Sebesta and James Loewen, University Press of Mississippi considered for an award by the Museum of the Confederacy either for 2010, or in the future.

Not to be presumptuous that the “Confederate and Neo-Confederate Reader,” would win any award from the Museum of the Confederacy, but if the book did win some type of award, I would reject the award publically and use the occasion to criticize the Museum of the Confederacy.  Finally, I should let you know that in debate with James McPherson, noted Civil War historian, I have spoken out against the Museum of the Confederacy on Pacifica Radio Network.

The link that Sebesta provides laying out his theory of “banal white nationalism” fails to yield much of anything that addresses the Museum of the Confederacy specifically.

I have to say that I am at a loss as to why Sebesta has taken such a strong stance against the MOC.  Over the past ten years I’ve visited the museum on multiple occasions.  I’ve conducted research in the library and have even brought my classes to explore its impressive collection of artifacts.  One of my former students is currently working as an intern in the research library.  I am good friends with a number of its staff and I have nothing but the highest respect for the difficult work that they do.  A few weeks ago I shared a stage with CEO, Waite Rawls, whose Confederate lineage is deep, but who understands that his role is to further historical understanding and not mythology.  I would recommend any of their professional programs, including their annual Teachers Institute.  It is impossible for me to imagine a more impressive line-up of scholars who have shared their knowledge in various public symposia.  Finally, it is impossible for me to imagine a serious scholar, who would not be honored to join the prestigious list of previous Jefferson Davis book award winners.

It would be interesting to know what James Loewen, who is the co-editor of the The Confederate and Neo-Confederate Reader: The “Great Truth” about the “Lost Cause, thinks of this stance.  To be honest, it looks like this book has much more of Loewen’s imprint on it than Sebesta’s.

Thanks to Ed Sebesta for reminding me that I need to renew my membership with the Museum of the Confederacy.

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John Legend Can’t Teach My Students

I am not a big fan of using history videos in my classroom.  Most are poorly produced and fail to add anything of substance to the various activities that I employ.  If I use video at all they are in short clips of historical footage such as a speech, parade, etc. pulled from YouTube.  At the beginning of the year History Channel mailed me a copy of their recent series, America: The Story of Us.  It sat on my shelf and I really had no plans to use it after having viewed a few segments.  However, as a way to get their intellectual juices flowing again after their Thanksgiving break I decided to show them the section on westward expansion through the 1850s as a way to introduce them to the next textbook chapter.  I wasn’t so concerned about the content; rather, I asked students to evaluate the narrative, along with the visuals, choice of talking heads, and the intended audience.

The video clearly kept their attention long after the point where you begin to see eyes glaze over or heads hitting the table.  They were impressed with the visual effects, especially the panoramic shots that helped them to conceptualize the pace of expansion.  We especially enjoyed the segment on the construction of the Erie Canal.  What they did not like at all was the choice of commentators.  They understood early on that the video was meant to attract the audience, but the choice of Michael Douglas, Rudy Giuliani, and Michael Bloomberg did not impress them at all.  A few students asked me to explain their qualifications for discussing American history.  Even more surprising was their reaction when John Legend, Sean “Puffy” Combs, and Martha Stewart appeared.  One of my students thought it was appropriate that Stewart was dressed in orange, but for the most part my students just laughed.  A few of them were visibly confused as to why the producers of this video would ask these people to offer commentary about specific historical events.

Keep in mind that I didn’t anticipate their responses, but after thinking about I have to say that I am encouraged by it.  I think they acknowledged the video’s usefulness, but their reaction to seeing high profile public figures as well as entertainers that many of them identify with suggests that our students are more sophisticated than we sometimes give them credit for.  I think what they are saying is go ahead and entertain us, but don’t assume that the only people we listen to and value are entertainers.

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Portraying Violence in the Classroom

John Hennessy has an incredibly thought provoking post up over at Frederickburg Remembered, which addresses the challenges of “portraying violence” in public history.  No one is better positioned to speak on such a subject:

Having worked on or with battle sites for much of my career (which seems impossibly long these days), there is no denying the temptation to use examples of violence in public programs. Nothing gets the attention of an audience faster than the description of a horrific death or a sanguine landscape in battle’s aftermath. But, do such things really help us get our listeners to a place of greater understanding? Or are we merely indulging our own and our visitors’ morbid curiosity?

As a history teacher, who offers an entire elective on the Civil War, I can relate to the temptation that John describes.  I constantly struggle with this question when discussing battles and the experiences of the common soldiers.  My biggest problem is a strong belief that having never experienced a battlefield/combat I am simply not qualified to give voice to it.  I usually feel like an impostor when doing so.  There are a few movies that I’ve used with some success in trying to give life to a Civil War battlefield, but even here I am uncomfortable rendering any kind of judgment as to their accuracy.  I often wonder what my students are thinking when watching these scenes.  Is it simply entertainment?  Are they glorifying the event and thus minimizing the true brutality that it attempts to represent?  And I wonder, as John does, whether I am feeding my students’ “morbid curiosity.”

This is not to suggest that I steer clear entirely from the subject either; rather, I almost always allow the soldiers to speak for themselves along with utilizing other primary sources such as photographs.  The letters offer windows into an experience that most of us will thankfully never have to encounter.  My students will have their own emotional response following the reading of a letter or the viewing of a photograph.  As a teacher I do my best to guide them intellectually to a place where they can achieve some level of understanding that they can take with them after they leave the course.  Even that level of understanding must be student driven.  And in a democratic nation it is essential that we do our best to understand and appreciate the consequences of war for the individuals involved and the nation as a whole.  Most of us sailed through the last 8 years of war without having to pay much attention at all.  My students were certainly not engaged.

But isn’t that the danger here?  As skeptical as I am about my ability to properly teach the subject of war isn’t the failure to do so to be left with a generation that is simply unprepared to think critically or emotionally about the consequences of war?

Anyway, head on over to John’s site for a much more interesting discussion.

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What Does Your Civil War Soldier Have To Say?

Charlottesville's Confederate Soldier Statue

Well, it’s early Sunday morning and I am sitting in my office preparing my classes for the start of a new trimester.  Once again, I am teaching an elective called, Civil War Memory, which I’ve offered over the past three years.  The course has taken different forms from a standard readings course to a course on film.  This year I am trying to structure the course so as to give my students a sense that they are contributing to the ongoing discussion about how the Civil War ought to be commemorated throughout the sesquicentennial.  I’ve played around with the idea of having my class form their own commission and build a website that would outline what they hope to accomplish over the next few years.  One of the activities planned will ask students to write their own proclamation for the state of Virginia after a careful examination of documents related to Governor McDonnell’s experience.

I tend to use the first day of a new class to jump right in rather than go through the tedious steps of outlining the course as well as my expectations.  Most of my students are already aware of my expectations and they can read the outline on the course website.  Let’s get to the important stuff.  I think I found a promising little lesson to get things going.  This morning I read a brief editorial in our local newspaper that attempts to give voice to our courthouse Confederate statue:

My name is Johnny Reb, the young soldier you see downtown every day at the courthouse. I killed and died for the Confederate States of America. I now see the great pain and suffering I brought to my family and my country in this misguided war. I am sorry too for attempting to perpetuate the slavery of Africans, brought here in cruel servitude, an enduring stain on America’s heritage of liberty. “If I could rise from my grave, I would walk to President Lincoln’s memorial in Washington and ask his forgiveness. And I would ask to shake the hand of President Obama and thank him for his service in healing the great country America has become despite my mistake.

I’m not so concerned about the substance of the editorial as much as I am with the imaginative act of speaking for the statue – an act that reminds us that our understanding of the meaning of these sites is always changing.    Perhaps I will come up with a couple of questions to assist them or maybe it’s better just to let them go to see what they come up with.  Most of my students will have taken my survey course on the war.  This is also a way to connect students to the local memory of the Civil War and this exercise can be done on any number of grade levels.  I will let you know what, if anything, comes of it.

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Where Is Alabama’s Civil War Sesquicentennial Committee?

Becoming Alabama Logo

It’s there, you just have to know where to look for it.  The question of how to commemorate the events marking the secession of the Deep Southern states 150 years later has been interesting to follow.  Not too long ago South Carolina debated the merits of locating a monument to that state’s resolution to secede on public ground.  I have to assume that the question of how to mark the secession of the rest of the Deep South, especially Alabama, is seen by many across the racial line as nothing less than a powder keg.  It looks like Alabama has tried to minimize the potential negative fallout by placing the Civil War Sesquicentennial commemoration alongside two other anniversaries and under the name, “Becoming Alabama“.    Their own explanation for this decision is as follows:

The concept for Becoming Alabama began with a pragmatic assessment of the financial and logistical challenges posed by this rapid succession of anniversaries over the next several years. Given the budgetary restraints faced by nearly every historical and cultural organization in today’s economic climate, it made sense to seek efficiency in planning public programs, designing publicity, and developing educational resources.

No doubt, the economy has played havoc with the budgets of all of the state commissions but it is hard not to see other factors at work here.  I do not envy members of this committee, who will have to figure out how to commemorate the formation of the Confederate government and Jefferson Davis’s arrival in Montgomery.  Already, organizations are gearing up for all out celebrations that I am sure state sponsored events will hope to steer clear.  My only concern is that the emphasis on civil rights may hamper the ability of those who hope to offer a more complete picture of the Civil War in Alabama that appeals to both blacks and whites.  It is an interesting approach to some very tough questions.

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Acquisitions (American Revolution Edition)

Every year as I prepare my classes I rediscover my love for the history of the American Revolution.  Like the Civil War, the Revolution enjoys a wide range of talented scholars and popular writers, who continue to crank out thought-provoking studies many of which I end up incorporating into my class lectures.  This year was no different.  Here is a list of the books that I’ve read over the past few months or hope to complete at some point soon.  I know many of you have an interest in the period so I am curious as to what you’ve read recently or are looking forward to reading.

  • Benjamin L. Carp, Defiance of the Patriots: The Boston Tea Party and the Making of America (Yale University Press, 2010).  I am just about finished with this book and I’ve thoroughly enjoyed it.  Carp does an outstanding job of placing the event within the context of the British Empire as a whole.  He analyzes the local social and political scene in Boston as well as the choice of disguise and the consequences of the act.
  • Julie Flavell, When London Was Capital of America (Yale University Press, 2010).  I love books that force you to take a new perspective on familiar people and events.  I recently heard that David McCullough’s next book will attempt something along the same lines.
  • Woody Holton, Abigail Adams (Free Press, 2009).  Holton goes furthest in exploring Abigail’s role as the caretaker of the family’s finances during John’s many absences.  I know that Joseph Ellis recently published a book on John and Abigail, but the reviews have not been good.
  • Jill Lepore, The Whites of Their Eyes: The Tea Party’s Revolution and the Battle over American History (Princeton University Press, 2010).  You can read this in one or two days.  It compliments Carp’s study nicely.  As much as I found Lepore’s focus on the modern Tea Party movement to be interesting, I was much more surprised by earlier appropriations of the event.
  • Pauline Maier, Ratification: The People Debate the Constitution, 1787-1788 (Simon and Schuster, 2010).  I’ve not had a chance to read this, but if it is as good as her study of the Declaration of Independence it’s going to be a real treat to read.
  • Alan Taylor, The Civil War of 1812: American Citizens, British Subjects, Irish Rebels, & Indian Allies (Knopf, 2010) Taylor proves once again that there is an aesthetic quality to solid research that is beautifully written.
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Are Slave Rebellions Part of the Story of American Freedom?

The Georgia Historical Society is in the process of installing new historical markers that expand our understanding of how the war impacted society beyond the battlefield.  One of the markers focuses on a failed slave revolt in the town of Quitman, Georgia, near the Florida border.  In 1864 three slaves and their white ringleader named John Vickery were hanged in Brooks County.  The reporter notes that, “The story highlights how three and a half years into war, many Georgians – especially poor, non-slaveholders — were hungry for food, war-weary and disillusioned with the Confederate cause.” And according to Todd Groce, the President and CEO of the Georgia Historical Society, the story “has a great relevance because it tells the African American people that they too are a part of the Civil War.”

Here is the text for the marker:

Civil War Slave Conspiracy

In August 1864, during the American Civil War, four men were executed in Brooks County, Georgia, for conspiring to plot a slave insurrection. The conspirators–led by a local white man, John Vickery, and three slaves named Nelson, George, and Sam–planned to seize weapons and take control of the town of Quitman, securing it for the U.S. Army in nearby Florida. Local authorities discovered the plot before it could be carried out. All four conspirators were convicted of insurrection and executed on August 22, 1864.  Anti-Confederate activity such as this, along with food riots, draft evasion, and labor unrest, increased during the final year of the war.

The choice of words is interesting.  Like most historical markers the basic outline of the event is presented, but there is little attempt to frame around a broader theme and that’s probably a good thing.  I assume that the “anti-Confederate” activity implied here is the slave insurrection itself, though it isn’t so clear.

I’ve asked this question before, but it is worth returning to given the placement of this marker: Is this event simply an example of anti-Confederate activity or is it part of a broader story of American freedom that we can all identify with?

[Note: I took the photo from one of the two article cited here because of the text that accompanied it: “A new plaque commemorates a failed slave revolt in Quitman. This image depicts a successful uprising by Nat Turner in Virginia.”  It goes without saying that Turner’s rebellion was not successful.]

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