New Orleans To Remove Four Confederate Monuments

Earlier today the New Orleans city council voted 6 to 1 to remove four Confederate monuments. The vote was preceded by a lengthy and heated public forum that you can see here. I decided early this morning to write up some thoughts assuming that the vote would go the way it did. You can read my essay at the Atlantic.

Regardless of your position, a good case can be made that this decision is the final act of our Civil War sesquicentennial.

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Interpreting Boston’s Second American Revolution

I am probably one of the few people who walks the streets of Boston looking for glimpses of its Civil War past, both historical and commemorative. It’s a neglected past. Sure, you can find groups that stop at the monument to the 54th Massachusetts Volunteer Infantry, across from the state house, but you will be hard pressed to find much more even though the city and surrounding communities boast a rich Civil War commemorative landscape. [click to continue…]

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“I Feel Like I am Living in the 50s”

It’s a script embedded in American history. If you want to send an African-American family the message that they are not welcome in your community, there is no more potent of a symbol than the Confederate battle flag. Its message is unmistakable even without the additional forms of intimidation employed by Shaun Porter against this family.

Porter’s behavior is disgusting and his choice of flag connects him with the worst racial elements that this country has to offer. I hope this is resolved soon.

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New Orleans Should Look to Richmond

The city of New Orleans is offering the rest of the country a lesson on how not to deal with Confederate iconography in public spaces. In advance of a decision that could come as soon as early as next week, the city is holding a series of public discussions. Mistrust and questions about the motivation behind the push to remove four monuments to Robert E. Lee, P.G.T. Beauregard, Jefferson Davis and Liberty Place, have done little to foster a consensus view or even a modicum of appreciation for opposing positions. [click to continue…]

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Teach Reconstruction

Set in South Carolina and released 100 years ago, D.W. Griffith’s “Birth of a Nation” glorified the Ku Klux Klan as defenders of white Southerners against a black population that was deemed to be unfit for citizenship in the United States.

Actors costumed in the full regalia of the Ku Klux Klan chase down a white actor in blackface in a still from 'The Birth of a Nation,' the first feature-length film, directed by D. W. Griffith, California, 1914.

Last week a photograph taken at The Citadel in Charleston, South Carolina showed cadets dressed in Klan hoods, who were reportedly singing Christmas Carols.

citadelcadetsOf all the places for this to happen, especially after the racial violence perpetrated by an individual who identified closely with another symbol of this nation’s racist past. Most, if not all the Democratic candidates have called for the removal of a Confederate Navy flag from The Citadel’s Summerall Chapel.

I would be happy if the school’s instructors spent a bit more time on Reconstruction.

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