I read Solomon Northrup’s personal account of slaverylong enough ago that I decided to pick it up again in light of having seen the movie. It’s hard not to be impressed with how close the movie actually follows the narrative, but specific choices made by director Steve McQueen stand out. Consider this passage from very early in the book:
With the return of spring, Anne and myself conceived the project of taking a farm in the neighborhood. I had been accustomed from earliest youth to agricultural labors, and it was an occupation congenial to my tastes. I accordingly entered into arrangements for a part of the old Alden farm, on which my father formerly resided. With one cow, one swine, a yoke of fine oxen I had lately purchased of Lewis Brown, in Hartford, and other personal property and effects, we proceeded to our new home in Kingsbury. That year I planted twenty-five acres of corn, sowed large fields of oats, and commenced farming upon as large a scale as my utmost means would permit. Anne was diligent about the house affairs, while I toiled laboriously in the field. (p. 9)
Those of you who’ve seen the movie already know that McQueen chose to begin his story with the Northrup family already established in Saratoga Springs, New York. Solomon is shown well dressed and walking in a park with an individual that he is unable to identify in his narrative, when he is approached by two strangers who were ultimately responsible for his kidnapping and enslavement. Northrup’s life prior to this is ignored entirely. [click to continue…]
“As I walked out the door toward the gate that would lead to my freedom, I knew if I didn’t leave my bitterness and hatred behind, I’d still be in prison.” – Nelson Mandela
With H.K. back in the news I thought I would pass on the latest video of the mythic white South’s favorite son. The video was recently uploaded to YouTube. Edgerton is in rare form here. In fact, I can’t remember him being so animated.
Update: More details are emerging about this meeting: “Passions ran high, at one point erupting in a spontaneous chorus of “Dixie” led by a black man, H.K. Edgerton, who called Union soldiers rapists and wielded his large Confederate flag like a conductor’s baton as the audience sang.” Oh, brother.
The Florida Department of Environmental Protection held a meeting last night on a proposal to add a monument to Union soldiers on the Olustee Battlefield Historic State Park. This story has been in the news for some time, but it’s still not clear to me why there is an issue with adding a monument to a battlefield. Most monument controversies are about their removal.
Speaking out against the addition of the monument, along with the Sons of Confederate Veterans, was none other than H.K. Edgerton, who we haven’t heard much from of late.
“There is no place in the south land of America to memorialize Yankee soldiers,” Edgerton said. “This is an army that came here raping, robbing, stealing, killing and murdering our people. The kinds of things that happened here under the sanction of Abraham Lincoln were for these men to commit total warfare against innocent men, women and children who could not defend themselves.”
What the commission made of a black man carrying a Confederate flag is anyone’s guess. Probably a good thing H.K. didn’t show up in full uniform.
I think you will agree that the story of a fallen Confederate soldier mistakenly sent to Gray, Maine, where he continues to be remembered by the community is perfect material for a sesquicentennial-inspired song.
[Uploaded to Vimeo on December 2, 2013]