National flags are by definition national identifiers. Confederate flags are those flags adopted by the Confederacy in its quest to be a nation and were intended to serve as a symbol of the Confederate nation. The conservation of flags, like the conservation of any historical artifact, is a legitimate activity for a museum. However, flags are powerful instruments of national identity and act as such – it is the purpose for which they designed. The MOC uses Confederate flags as symbols that both assert and reinforce Confederate national identity.
Sebesta seems to think that the financial support for this project by the Sons of Confederate Veterans implies that the flag’s restoration is for their benefit only and that its purpose is to keep alive the Confederate cause. This is absurd. First, there is nothing necessarily wrong with the SCV offering financial support to the museum nor is there any conflict of interest for the MOC in accepting and publicizing it. The flags belong to all of us.
The following video was uploaded to YouTube a couple of days ago. I know nothing about the woman who produced it, but I think it is a wonderful example of how the Web2.0 world has shaped the Civil War Sesquicentennial. As opposed to the centennial years, when relatively few historical institutions exercised control over how the nation remembered the war, the sesquicentennial’s narrative is being written one blog post, one video, and one tweet at a time. Much of what is being produced, including this video, defies easy categorization. Watch this through to the end.
Given the frequency of posts on this site concerning the myth of the black Confederate soldier I wanted to point out the release of a new book that many of you will want to consult. I’ve been looking forward to Glenn David Brasher’s book, The Peninsula Campaign and the Necessity of Emancipation: African Americans and the Fight for Freedom, for some time and having completed two chapters I can now say it was worth the wait. Brasher provides an overview of history on the Virginia peninsula and analyzes the ways both free and enslaved blacks influenced the strategic and tactical decisions of both armies during the spring campaign of 1862. Brasher believes that the influence of African Americans on the Peninsula Campaign and its ultimate outcome is more important that Antietam in leading to leading to Lincoln’s Emancipation Proclamation.
The most important important analytical point that Brasher has made thus far is that there was nothing inevitable about black loyalty to either side during this period. So much of the discussion surrounding black Confederates is about who can claim a moral victory for their respective side. It’s nice to remove this issue from our own soiled hands and place it back in a more strictly defined historical context. Many of the slaves who risked their lives by imposing themselves on Union forces at Fort Monroe and elsewhere remained uncertain as to whether their status as contraband would translate into real freedom. And while Brasher acknowledges the presence of slaves in Confederate ranks, he reminds us that even those who may have taken shots at Yankees may have done so for reasons that have little to do with loyalty to the Confederate cause and master.
Ultimately, this book is about the place of free and enslaved blacks in our understanding of a military campaign and the course of the war in 1862. What we ultimately learn is why the United States eventually recruited blacks into the army by early 1863 and why it took the Confederacy much longer.
And the winner is: “Celebrating the little-known Battle of Calico, California, (or Farb Forks) apparently fought over possession of the town’s only all-you-can-eat buffet.” — Ken Noe
Those of you who are into reenacting are either going to get a good laugh out of this or have your day ruined. Each year, Calico Ghost Town plays host to hundreds of Civil War reenactors and their families in a President’s Day weekend experience. The video is from this past Sunday.