Today Chief Trial Counsel Kirk Lyons of the Southern Legal Resource Center announced that the Supreme Court will not hear a case involving Candice Hardwick, who ten years ago was sent home for wearing a t-shirt to school with a Confederate flag. He is apparently quite upset about the court’s decision given his firm belief that his client has a rock solid case.
I have to say that I am very disappointed that we have been deprived of the opportunity to hear Kirk Lyons argue in front of the highest court in the land. As for precedent, Lyons argues that this “case is a lot like the Dred Scott decision.” He goes on to suggest that, “Confederate kids have no rights the courts are bound to respect.” Oh, what fun.
I walked out of my Holocaust class earlier today both incredibly frustrated and energized. This has by far been my most enjoyable classroom experience this year. I am learning a great deal from the readings and from a wonderful group of students. The class is structured around a few central questions, including how the Nazis gained power in 1933, how they solidified this power, and, ultimately, how the Final Solution was implemented. [click to continue…]
No, it’s not a new Dixie Outfitters design for the bad-ass biker in you that wants to show off your Confederate pride. In fact, it’s a t-shirt design for Kanye West’s Yeezus Tour. West’s publicity team is marketing a number of times that features the Confederate flag.
This is not the first time that African Americans have appropriated the flag for their own use. A Confederate flag draped over the grim reaper is quite suggestive. Perhaps it symbolizes the death of the Confederacy and racism. I have no idea.
It’s encouraging to think that young black and white Americans, who purchase this shirt will help to blur to the point of non-recognition the history of this flag’s connection to a failed revolution to perpetuate slavery and history of racism and violence.
In other words, they will flag it into oblivion.
This past week The Daily Beast did an interview with James McPherson to mark the 25th anniversary of the release of Battle Cry of Freedom: The Civil War Era. As we all know it was a bestseller when it was first published in 1988 and remains the go to book for those looking for a reliable survey of the Civil War Era. That is quite an accomplishment.
While it is likely the single most popular Civil War book published in the past two decades I sometimes wonder how many people, who own it or who throw out the name in polite conversation, have actually read it in its entirety. At just under 900 pages it is quite demanding.
I first purchased the book in 1995. At the time I was just beginning to explore the period and everyone recommended that I start with McPherson. I don’t mind admitting that I never really got around to reading it in its entirety until I took a graduate school class in historiography in 2004. On numerous occasions I committed myself to reading it only to be distracted by another book or even a shorter McPherson essay that summarized aspects of the larger study. Of course, that did not stop me from recommending the book to others.
Part of why I resisted had to do with the mistaken assumption that Battle Cry is no more than a survey, heavy on narrative and short on analytical rigor. That certainly is not the case.
So, who else is going to come clean?
Like many of you I am very much looking forward to seeing this movie. It looks like Hollywood’s sesquicentennial trifecta will go down with Lincoln, Django Unchained, and now 12 Years a Slave. These three movies collectively have both reflected and come to define current thinking about- and memory of the Civil War Era.
This image alone gives me hope that the movie will be both intellectually and emotionally stimulating. In doing so, let’s hope it challenge many of the public’s assumptions about the “peculiar institution.”
Anyone who has read Solomon Northrup’s narrative will agree that his story is worthy of Hollywood’s attention, but it is interesting that it beat Frederick Douglass’s much more popular account of slavery and freedom to the big screen.