When it comes to Gen. Benjamin Butler there is no shortage of controversy. Butler is arguably best known for his infamous General Order No. 28 of May 15, 1862, which stated that if any woman should insult or show contempt for any officer or soldier of the United States, she shall be regarded and shall be held liable to be treated as a “woman of the town plying her avocation”, i.e., a prostitute.
Most of us are familiar with Butler’s treatment of the ladies of New Orleans, but how about his handling of foreign nationals? Can someone tell me why, in the summer of 1862, Gen. Butler ordered the residents of New Orleans to register, indicating to which country they held allegiance?
There is no prize other than the pride that comes with a correct answer to an obscure question.
I know I posted this video once before, but it is so damn funny that I thought it was worth sharing again. Maurice Bessinger is quite a character. Consider Mr. Bessinger’s “21st Century Declaration of Independence Renewal”:
Our sacred constitutional republic has been badly wounded and eroded in our lifetime through illegal executive orders from Presidents, Abraham Lincoln thru Bill Clinton, unconstitutional laws passed by Congress and radical left-wing re-interpretations by the Supreme Court. If we are to save our constitutional republic that our ancestors gave their lives, spilled their blood, and gave their fortunes then this generation must implement a simple plan of individual states initiative to begin the return of our sacred constitution given to us by God Almighty.
We can do this by beginning to restore state sovereignty. As a first step, we can demand that our state governments and legislatures place their state flag first place on the top of the State Capitol dome and on all state property, including schools. When this is accomplished, it will tell everyone, especially our children, that each state is a sovereign entity in this republic and from this moment on, we will get back to constitutional government. This will stop these left-wing one-worlders who realized over 50 years ago that in order to accomplish their goals, they must destroy, re-interpret or ignore our sacred constitution to carry out their plan of destroying our constitutional republic. Let’s get those state flags back to first place on all state property. That step alone will be a giant step in taking back our constitutional republic. Our Sacred Constitution was given to us by God and He expects us to have the courage to keep it.
Long live the constitutional republic.
Well, that seems to take care of the argument that the Confederate flag is not a political symbol. Enjoy as I head outside to do some serious snow shoveling.
I don’t know much about the few white Southerners who left the country following the war owing to the widespread physical destruction, military occupation as well as the consequences of emancipation. Here is at least one title that looks worthwhile. Actually, the more I watched the more I thought of this story as a reflection of Brazilian memory rather than what we would assume to be a Civil War/Confederate memory. These scenes seem to have all of the trappings of our popular memory of the war as seen in Gone With the Wind and your standard reenactment rather than anything having to do specifically with the men and women who chose to leave the United States. At one point one of the interviewees suggests that his ancestors would be pleased to learn that they continue to keep the memory of the Confederacy alive. Perhaps, but the fact that they chose to leave suggests that they were trying not only to distance themselves physically from their homes, buy psychologically as well. I get the sense that remembrance of their Confederate past is a once a year event. Just a thought.
The other day my students brought in newspaper articles about the Civil War that were published in the New York Times between 1961 and 1965. They were allowed to search any topic and then had to write up a brief analysis of what they discovered. I asked them to staple the articles to their analysis so I could spend some time with their sources. In our discussion about Lincoln this interesting little article came up which reports on a Moscow radio broadcast that references the president. The article was published on February 14, 1961:
Tribute Paid to Lincoln in Moscow Broadcast
Abraham Lincoln, the Moscow radio said today, is a name “dear to the heart of the Soviet people.” A broadcast beamed at North America and heard here declared that the Soviet people “can sympathize with and understand Lincoln’s democratic views and his sincere and deep sympathy for the working people.” “Today, when the peoples of all countries see as the main task the struggle to preserve peace,” the broadcast went on, “we return to the words of Lincoln. Let us strive to do all that will achieve a just and lasting peace among ourselves and with all nations.” “We honor the great President and United States citizen because he represented the revolutionary and democratic traditions of the American people, traditions which found expression during difficult years of the struggle against fascism.”
What followed was a nice discussion about why our supposed ideological enemy, during the Cold War, would honor one of our presidents. One student suggested it was a clever piece of propaganda designed to undercut the American peoples’ self confidence. In other words, if the Soviet people revere one of our own than than Americans may doubt that there is such a wide gulf between the two nations. Another student argued that it was an attempt on the part of the Soviet Union to reach out in hopes of cooling tensions during the height of the Cold War. Finally, another student hesitantly made the point that perhaps the Soviets really do revere Lincoln. What followed was some very awkward silence, but I decided to ride it out in hopes that the conversation would continue. The problem, it turned out, was that some of the students had difficulty considering such a possibility. Even though they were born after the end of the Cold War they’ve been trained to remember this period by those who did experience it for different lengths of time. We talked a bit about the connection between the plight of the slaves and how the working class fits into communist ideology. I also reminded them that a large contingent of African Americans traveled and even settled in the Soviet Union as an alternative to the experience of living in a Jim Crow society. It seems safe to suggest that hey would have brought strong views of Lincoln with them, but I am going to have to go back and check out Glenda Gilmore’s recent study to see if she has anything to say.
One of the more interesting points of discussion that came up was why Americans have such difficulty acknowledging that other nations are interested in our Civil War. It’s true. We see nothing unusual about history courses devoted to the study of another country, but we rarely imagine students in other countries studying our own history. For those of you in the classroom who are interested in exploring this theme I highly recommend Dana Lindman and Kyle Ward’s History Lessons: How Textbooks From Around the World Portray U.S. History (The New Press, 2004). The book is broken down by events and each section includes short excerpts from various history textbooks from around the world. They make for some wonderful classroom discussions as students try to understand the reasons behind the various interpretations.
Shenandoah is a watershed movie for a number of reasons in my view. As I mentioned in my last post, the movie steers clear of many of the traditional Lost Cause themes that can be found in earlier movies. What I continue to be struck by, however, is the avoidance of any reference to what the war is about. It is true that Charlie Anderson emphasizes the importance of slavery in one of the earlier scenes, but that particular discussion is disconnected from what comes after. In the wedding scene where Sam marries Jenny the young officer is forced to immediately depart for the war. As he says goodbye to his new bride she asks if he understands what the war is about. Sam’s inability to offer any sort of response gives the scene a tragic quality as the young couple is split along with their future in doubt. Another scene set on the Anderson porch also offers an opportunity to discuss the war. Charlie steps outside with the doctor who has just delivered a child and asks him how he feels about the fact that Virginia is losing the war. The doctor shares that one son is buried in Pennsylvania, another is home with tuberculosis, and a third is off riding with General Forrest. In this scene the war is reduced to the personal loss and sadness experienced by the doctor. The attention to cause and justification that is present in earlier movies is replaced by innocent scenes such as this one where Charlie Anderson offers Sam advice on how interpret the behavior of women. No one seems to know what the war is about.
Later in the movie Charlie Anderson visits the family grave site that at one time only included his wife, but now includes his own children who he so desperately tried to shield from the war. He admits, “There is nothing much I can tell you about this war…” The scene once again steers clear of anything divisive about the war by blaming the politicians and allows the audience to embrace the emotional loss that accompanies all wars.
There are two additional scenes that I want to mention. The first is a wonderful scene that includes “Federal agents” who have come to the Anderson farm to confiscate their horses. This scene follows the strong anti-state theme that was mentioned in yesterday’s post. What I find interesting is that the individuals in question are never identified as representatives of the Confederate government, though the government did indeed follow a policy of confiscation throughout much of the war. Was this a conscious effort not to alienate any particular segment of the viewing population and maintain the neutral stance of Charlie Anderson? I don’t know.
The most interesting scene thus far is the emancipation moment involving the young slave boy. The viewer is not exposed to any working slaves other than one moment early on outside of the church. Slaves are seen as drivers, including the slave boy who is friends with the youngest Anderson boy. In a remarkable scene that takes place following a brief skirmish the two boys are confronted by Union soldiers, two of whom are black. [Note: Black Union soldiers did not serve in the Shenandoah Valley.] The young Anderson boy is taken prisoner owing to his kepi which he discovered in a stream earlier in the movie. He asks the young slave to run home to inform his father of what has happened. In that moment one of the black soldiers informs him that he does not have to do so because he is now free. It’s an incredibly brief moment, but crucial nevertheless.
Only after learning of his son’s capture does the war finally matter to Charlie Anderson: “Now it concerns us.”