Interestingly, this film was done in 1982, well before the YouTube Era. You will have to excuse me, but for some reason I find this sort of video to be quite funny. This one clearly reflects the persistence of the “Grant the Drunk” narrative. A more recent video that depicts Grant with bottle can be found here. Enjoy.
Somehow I became a topic of concern over at Michael Aubrecht’s blog because I dared to comment on the Richard Kirkland story during the same week that a new website and film preview were introduced. I find it funny that both Aubrecht and Richard Williams make a point of minimizing my influence even as they spend their time worrying about what I write. Anyway, this little gem of a comment from Williams made my day:
“Outside of his classroom and blog, he has very little influence.”
Precisely Michael. Dana Shoaf of Civil War Times said in an interview a while back that, “The problem with academic historians is they are not reaching a wide popular audience.” I’ve personally noticed that academics, particularly those like Levin, talk mostly to themselves. Shoaf further noted, “people often are reluctant to read social history because they think it is boring.” Levin is a “social historian” and a self-proclaimed “activist historian.” That limits his influence and impact. Moreover, Levin’s (and many of his followers) constant impugning and mocking of Confederate heritage and history turns a lot of people in the “popular audience” category off, which even further narrows his influence.
In reference to the Richard Kirkland documentary that is slated for release in the near future, let me just say that I wish the people involved all the success in the world. No doubt, they put a great amount of time into this project and I am sure that it will find an enthusiastic audience. As I stated in my first post in the series, I decided to write about it after reading Peter Carmichael’s recent Fredericksburg commemoration talk in which he referenced Kirkland. That led me to what I thought was an interesting essay on some of the sources for the story that I featured as a guest post. That, in turn, led to a pretty good discussion. I guess I never realized that raising questions about a popular story in our collective memory of the Civil War would be such a problem.
By the way, Richard, Dana Shoaf is featuring one of my articles in the next issue of Civil War Times.
This year is the 70th anniversary of Gone With the Wind and this week my Civil War Memory class will watch it. Depending on how they respond to it we may even watch it in its entirety. There are so many thought provoking scenes, which will allow us to address a number of interpretive threads that have been passed down in our collective memory. With Birth of a Nation already under their belt they will also be able to begin to track certain themes in popular culture during the first part of the twentieth century.
In addition to viewing the movie, students will have to write an analytical review that addresses questions that I have provided. This time around they will also have to spend some time on one of our school’s databases that includes newspapers from around the country. They will have to integrate reviews and editorials into their essays. We will start with the following blog post from the Atlanta Journal-Constitution to get the juices flowing.
One of my FB friends invited me to join a group dedicated to black Confederates. There are just under 200 members. No surprise that just about all of them are white, including Rickey Pittman. There is nothing serious about the site. Essentially, it serves as a dumping ground for the same tired stories that populate the Web. To get a sense of how ridiculous this is consider the fact that they use an image of Jim Limber as their profile picture. One of the more aspects of the site is the attempt to define who constitutes a black Confederate. Check it out:
BLACK CONFEDERATE DEFINED: 1. Any Black person, slave or free, a subject of a seceded Southern state, who faithfully performed his/her duties during the existence of the Confederate States of America. There were 3.5 million blacks in 1860 census residing in Southern states so the number of Black Confederates numbers in millions, not thousands.
Black Confederate Definition 2: Post War 1865-1940. Blacks of any age and gender and including veterans who identified with and defended the Confederate Cause, its symbols and veterans.
Black Confederate Definition 3: Modern. Blacks of any age and gender who identify with and defend the Confederate Cause, its symbols and heroes; and who belong to the Confederate Community and/or consider themselves Confederate Southern Americans.
So, I guess the tens of thousands of free blacks and fugitive slaves who served in the U.S. Army betrayed a cause that they morally ought to have supported in some way. Notice also that the term has been completely watered down beyond any kind of presence with the Confederate army. I guess “faithfully performed his/her duties” simply means that they maintained their roles as slaves. As for Definition #2 I would love to know who they have in mind. Is there a Preferred Membership option for those who maintained their loyalty even as Jim Crow hardened race relations at the turn of the twentieth century? Finally, I guess they have the likes of H.K. Edgerton in mind for their Modern category.
There is something quite disturbing about a bunch of white people recruiting blacks to buttress their silly beliefs about the loyalty of tens of thousands of slaves.
Just returned from a wonderful trip to the “Big Apple” with my wife. We caught two excellent jazz shows featuring guitarist Mike Stern at the Iridium Club. Both shows featured some excellent players, including Sonny Fortune (sax), Buster Williams (b), Victor Wooten (b), Dennis Chambers (dr) and Randy Brecker (trumpet) and Jimmy Cobb (dr). We tried to see the exhibit at the Tenement Museum, but it was too crowded. Be smart and buy tickets in advance. Unfortunately, I completely forgot about the slavery exhibit at the New York Historical Society. I’ve read nothing but positive reviews of the exhibit and even though scholars have been writing about slavery and race in the North for quite some time it is a topic that is sorely misunderstood by the general public. Hopefully we can catch it next time we are in town. For now check out this wonderful introductory video of the exhibit. I love the creativity and the way they utilize the old lithographs.
By the way, there is a brand new book on the subject that is slated to be published in the coming weeks that looks to be very interesting.