A long-standing dispute in Jacksonville, Florida has ended with the local school board’s unanimous decision to change the name of Nathan Bedford Forrest High School. As in other decisions about how to collectively remember the past, these decisions ought to be left to local communities. Continue reading “Nathan Bedford Forrest High School To Get New Name”
The official video for Fun’s hit single “Some Nights” has a clear Civil War theme. Here is an alternative take on the song that utilizes scenes from “Gettysburg” and “Gods and Generals” with a little creative cinematography.
[Uploaded to YouTube, September 8, 2013]
It’s an overused reference that often waters down the complexity of the history that it hopes to render intelligible. In this case, however, it seems appropriate. Last week the state of Mississippi broke ground on a new Civil Rights museum that should be open in about four years. Continue reading “From Civil War to Civil Rights”
This is a very interesting interview with former Ole Miss chancellor Robert Khayat on the decision to ban the Confederate flag at Ole Miss.
The perception created by the Confederate flag was causing people to look on us in a negative way and remember us from 1962 (when James Meredith integrated Ole Miss and riots broke out on campus). It was being used by our opponents — not only in athletics, but in the general recruitment of students, as a negative to say that Ole Miss was still in the past. . . .
Most people want progress, but most people don’t like change. And that just became so apparent. The idea of changing something was traumatic for a lot of people for a lot of different reasons. Some of it just had to do with good memories, of days when we were students and had winning football teams. But some of it had to do with hate and this feeling that existed between black and white people. Continue reading “Robert Khayat on Banning the Confederate Flag at Ole Miss”
This morning I was perusing through the September 1963 issue of Ebony Magazine and came across this remarkable photograph of Medgar Evers and his family on the Vicksburg battlefield. Apparently, they spent a great deal of time on the battlefield. This particular issue centered on the 100th anniversary of the Emancipation Proclamation, which included a story about Evers on why he chose to live in Mississippi.
Outside Vicksburg, in the national military park, which entombs hundreds of Civil War dead–from Mississippi, Illinois, both sides of the struggle–Evers strolls with sightseers over the bones of the dead, is drawn to “our spot” where he and his wife courted, politely answers the questions of a white man, whose ten gallon hat and deep drawl identify him as one of the “enemy.” (pp. 146-47)