Update: Thanks to those of you who pointed out my rookie mistake re: “the mountain top” reference in King’s speech. I guess it doesn’t really matter what speech of his they etch into that monument.
Over the summer, individuals and organizations protesting the removal of Confederate flags from public places gathered numerous times at Stone Mountain, Georgia in view of its relief monument to Robert E. Lee, Stonewall Jackson and Jefferson Davis. Protesters may think twice about doing so in the future since it was announced that a monument to Martin Luther King, Jr. and a museum exhibit about the service of United States Colored Troops will be funded with visitor entrance and parking fees. Continue reading “MLK Soon To Top Stone Mountain”
Here is a little gem that I somehow missed in my research on the battle of the Crater. I will, however, include a few stanzas in my book on camp servants and Black Confederates. What follows is a poem written by a former camp servant who was present at the Crater on July 30, 1864. It was included in a book of slave reminiscences published in 1916 by Mary Louise Gaines. The poem was written by “Old Sam” and falls neatly within a body of postwar literature that glorified the Old South and the relationship between the races at a time of intense racial violence and political realignment following Reconstruction. Continue reading “A Camp Servant at De Battle Uv De Crater”
This week the Stonewall Brigade of the Sons of Confederate Veterans learned that they will not be allowed to use the Lee Chapel on the campus of Washington & Lee University for their annual celebration of Lee-Jackson Day. A spokesman for the school made it very clear as to why:
Hosting the program is no longer an appropriate use of Lee Chapel, W&L spokesmen Brian Eckert said, in light of the “distortion, misstatements and inflammatory language” the school has endured from members of the organization upset with its decision last year to remove Confederate flags from part of the chapel.
“The persistent name-calling, vilification and uncivil attacks in messages to the university, letters to the editors of local newspapers and social media postings have persuaded us that our original intent to make the chapel available would not be appropriate,” Eckert said. “We simply are not going to allow our own facilities to be used as a place from which those attacks can be made.”
Continue reading “Sons of Confederate Veterans Kicked Out of Lee Chapel”
The horrific shooting of nine churchgoers in Charleston, South Carolina back in June did not spark this public debate about the place of Confederate iconography in public places. Rather, it intensified it to a degree that few could have anticipated. Over the past ten years the Confederate flag has quietly (and on occasion not so quietly) been lowered from public places and removed from other institutions throughout the South and beyond. Southerners from all ethnic and racial backgrounds have had to wrestle with the question of whether the flag’s public display reflects their community’s collective values and view of the past.
For anyone who has followed this trend and the events of this summer, it is clear that Confederate flag advocates have been thoroughly defeated. Continue reading “Confederate Flags are Gone With the Wind”
Consider the following evidence.
Gary Feis, a contractor from North Carolina on a week-long tour of Virginia battlefields, wore a camouflage cap embroidered with the flag and the words “100% Genuine Rebel.” The flag, he said, was nothing more than “a symbol of a rallying point during the battles, so they could know where their people were.” “People are very ignorant of history in this country,” he said as he perused books, bumper stickers and prints venerating the Civil War.
“There’s obviously a visceral reaction to this wave of cultural cleansing, there’s nothing else to call it,” said Ben Jones, the former Georgia congressman best known as the actor who played Cooter on the ’80s series about good ol’ boys in the rural South. “A lot of people have said to me, ‘This reminds me of Nazi Germany in 1933, when they started burning books.’ When you take ‘The Dukes of Hazzard’ off the air, this internationally beloved show, and hint that it is because it is racist . . . it’s a bridge too far.” Continue reading “Witness the End of Sons of Confederate Veterans”