One of my favorite sites is a Facebook page made up of folks who style themselves as defenders of Southern Heritage. There isn’t much serious history being discussed. Once in a while someone will ask for a quote’s source or the reference to a particular book, but more often than not members simply reassure one another of their own worth in the continuing struggle against folks, who they believe are out to destroy all things “Southern”. Here is a wonderful example that begins with a posting by Ann DeWitt, aka “Royal Diadem”.
Gary Casteel’s latest creation was recently unveiled in the new extension of the Virginia Capitol. The sculpture is titled, “Brothers”, and depicts a reunion of two brothers following the heat of battle. My problem with this piece is not that it fails to capture documented meetings between brothers and family members on the battlefield, but that it plays on our need to see the war and all of its bloodshed and violence as somehow washed away through reconciliation and reunion. Simply put, it doesn’t push me to reflect about our past and that is what an important piece of public art ought to do.
What do you think?
An official count showed about 21,015 people stood in lines with waits ranging from 3 to 7 hours to see the Emancipation Proclamation, which was on display at the The Henry Ford, in Dearborn, Michigan, for 36 straight hours. Meanwhile, the Sons of Confederate Veterans continue their quest for vanity plates in former Confederate states and even states that never seceded.
Here is some more video from the new documentary, Southern Belle. In this segment historians respond to the attempt on the part of the organizers to remove any discussion of slavery from their program. They address the following question: Why would the “yeoman” farmer go to war with no dog in the Civil War fight? The list of historians interviewed includes, R. Blakeslee Gilpin, Assistant Professor of History, University of South Carolina; Carroll Van West, Director, Tennessee Civil War National Heritage Area; Tara McPherson, Professor of Critical Studies, University of Southern California School of Cinematic Arts and Stan Deaton, Director, Georgia Historical Society. Additional films can be viewed on the documentary’s website.
This looks to be a fairly interesting documentary. Here is a brief description:
The Civil War may be long over, but the spirit of rebellion is hard to extinguish even in something as innocent as a girls’ summer camp. Southern Belle is an insider’s look at the 1861 Athenaeum Girls’ School in Columbia, Tennessee, where the antebellum South rises again. Every summer, young women from around the world eagerly sign up to become that iconic and romantic image of southern identity: the southern belle, replete with hoop skirt, hat and gloves, singing the region’s anthem, “Dixie.” However, the camp can only achieve this version of Southern femininity by whitewashing the past. The teachers, all of whom work for no compensation, hope to instill genteel manners and build pride in southern heritage. To accomplish this, they have carefully selected the time period so they can share the “truth” with the next generation about why the South seceded from the Union. For them, the Civil War had little to do with slavery and everything to do with states’ rights and unfair taxation.