Dr. Michael Kogan, a member of Archibald Gracie Camp #985, the New York City Camp of the Sons of Confederate Veterans, gives a few brief remarks at the annual Grant’s Tomb Commemoration, hosted by New York’s Sons of Union Veterans on Palm Sunday, April 17th, 2011. The speech is a wonderful example of the continued hold of sectional reconciliation on our popular memory of the war. The only problem is that it is unlikely that General Grant would have approved of such language. Toward the end of his remarks Kogan applauds Grant for his terms of surrender at Appomattox, but the SCV would do well to remind itself of what he thought of the Confederate cause. Grant offers a very succinct reflection on it in his memoir:
I felt like anything rather than rejoicing at the downfall of a foe who had fought so long and valiantly, and had suffered so much for a cause, though that cause was, I believe, one of the worst for which a people ever fought, and one for which there was the least excuse.”
For Grant the war was not simply a battle between brave soldiers and shared values. I have little doubt that if given the opportunity to do so Grant would remind Kogan and the New York chapter of the SCV that there was a right side and a wrong side in the Civil War.
I just finished reading Gary Gallagher’s new book, The Union War, which in some ways functions as a companion volume to The Confederate War – published back in 1997. Both studies offer highly readable critiques of a wide swath of Civil War historiography with an eye toward pointing out gaps in the literature. In the earlier study that gap was a tendency to ignore the extent to which white Southerners forged a national identity around such military icons as Robert E. Lee. Gallagher asked readers to think beyond the question of why the South lost and explore how the Confederacy managed to resist a concerted effort on the part of the United States to reunite the nation for four long years as well as how it managed to come close to independence on more than one occasion. That opening in the historiography has been filled by Gallagher’s own graduate students and others, who have given us a much richer picture of nation building in the South.
In The Union War, Gallagher’s historiographic critique brings into sharp relief our tendency to minimize and even ignore the meaning that Northerners attached to Union. In my opinion there is no one better at distilling academic debates for a general audience. Gallagher devotes some of his sharpest criticisms to historians such as Chandra Manning and Barbara Field, who suggest that the massive amount of bloodshed could only be justified with emancipation and the end of slavery. On the contrary, Gallagher argues that this runs rough shod over the the meaning of Union to the vast majority of Americans who rallied around the flag and Lincoln’s call to arms. As in his previous study, Gallagher devotes a great deal of time to the importance that Americans attached to the army as a symbol of the nation and to the citizen-soldier, who exemplified its strong sense of sacrifice and patriotism. At the center of this stood Ulysses S. Grant, who has been all but lost to our collective memory of the war.
This is a cute little video that attempts to capture the technology behind an early Edison TV. Edison, or his assistant, can be heard chatting with Gen. Sherman at the end, inquiring whether the General would be attending upcoming festivities with Sen. Conkling. Sherman’s on-again off-again feud with Roscoe Conkling was a running joke in New York social circles.
When it comes to Gen. Benjamin Butler there is no shortage of controversy. Butler is arguably best known for his infamous General Order No. 28 of May 15, 1862, which stated that if any woman should insult or show contempt for any officer or soldier of the United States, she shall be regarded and shall be held liable to be treated as a “woman of the town plying her avocation”, i.e., a prostitute.
Most of us are familiar with Butler’s treatment of the ladies of New Orleans, but how about his handling of foreign nationals? Can someone tell me why, in the summer of 1862, Gen. Butler ordered the residents of New Orleans to register, indicating to which country they held allegiance?
There is no prize other than the pride that comes with a correct answer to an obscure question.
Interestingly, this film was done in 1982, well before the YouTube Era. You will have to excuse me, but for some reason I find this sort of video to be quite funny. This one clearly reflects the persistence of the “Grant the Drunk” narrative. A more recent video that depicts Grant with bottle can be found here. Enjoy.