Well, the trailer for the pilot episode of Amazon’s “Point of Honor” is available and its even worse than first thought. It looks like a movie version of a
Don Troiani Mort Kunstler painting. It is worth emphasizing that in light of recent Hollywood releases “Point of Honor” is an outlier given the narrative’s emphasis on distancing slavery from its main characters. Certainly, the success of “Twelve Years a Slave” demonstrated that the movie-going public can handle an honest portrayal of some of the harshest realities of American slavery and the master-slave relationship. Even Ron Maxwell has been able to push the envelope of the traditional Civil War story with “Copperheads.”
Are there any examples of a West Point cadet renouncing the institution of slavery at the beginning of the war and then fighting for the Confederacy? I honestly don’t know.
This pilot episode appears to be so cliche ridden and so poorly conceived that there is a chance that it never sees the light of day. Judge for yourself.
Check out Mary Niall Mitchell’s Common-place essay on the backstory of 12 Years.
As many of you now know, last night 12 Years A Slave won Oscars for Best Picture, Actress in a Supporting Role, and Adapted Screenplay. Congratulations to Steve McQueen, John Ridley, Michael Fassbender, Lupita Nyong, Chiwetel Ejiofor, Brad Pitt, and the rest of the cast and crew for making this important movie.
“Everyone deserves not just to survive, but to live. This is the most important legacy of Solomon Northup,” – Steve McQueen
“Cruel, unjust, exploitative, oppressive, slavery bound two peoples together in bitter antagonism…” – Eugene Genovese
There are plans to bring this movie to classrooms across the country. Stay tuned.
It is being reported that some of the descendants of slaveowner William Prince Ford are not happy with how he has been portrayed in 12 Years A Slave.
One was his great-great-grandson, 77-year-old William Marcus Ford, who described the film as ‘too dark and exaggerated’. He added: ‘By all accounts, my great-great-grandfather treated his slaves well and did his best for them. ‘He was born at a particular time in history when slavery was accepted throughout the South. ‘It wasn’t illegal. That doesn’t make it right or moral by today’s standards but back then it wasn’t an ethical issue. Northup saw him as a kindly person. He was a highly moral man.’ The film, says Mr Ford, ignores the fact that ‘slaves were regarded as valuable pieces of property and that it wouldn’t be in an owner’s interest to treat his slaves badly’. He said: ‘Good field-hands had worth. They were valued. A skilled craftsman like Northup would have been valued. There might have been a few bad apples, but I don’t think there was widespread brutality.’
The past few decades has witnessed an incredible outpouring of scholarship on the complexity of the master-slave relationship. The institution varied widely depending on both time, place and a host of other factors. No one should be surprised that as much as 12 Years A Slave has made room for meaningful discourse about the history of American slavery, it has also reinforced deeply entrenched positions and ideologies. For many a continued defensive stance is the only response. Continue reading “William Prince Ford & Stonewall Jackson: Black Man’s Friend”
The movie has been in limited release up til now, but I suspect that with Golden Globe Award for Best Drama and nine Oscar Nominations that this is going to change very soon. This is wonderful news for what is clearly the most important Hollywood movie about slavery to appear in decades. A number of my students have seen the film and they all come back wanting to talk about it. Even given the nature of the violence depicted in this film, I have no doubt that 12 Years a Slave will eventually be used in classrooms across the country. It already is through the textbooks, documents, and other primary sources that history teachers utilize
On a related note, I highly recommend checking out NPR’s ongoing series of conversations from their Race Card Project. I’ve caught most of them on my way to work in the morning. Yesterday I used this discussion at the beginning of my Civil War Memory class on the subject of antebellum slavery.
Ani DiFranco’s recent cancellation of a workshop/performance at Nottoway Plantation in Louisiana has raised the question of whether it is appropriate to hold certain types of events at these sites. [Click here for a thoughtful response from Nicholas Redding.] Continue reading “We Just Want to Get Married”