Here is a little gem that I somehow missed in my research on the battle of the Crater. I will, however, include a few stanzas in my book on camp servants and Black Confederates. What follows is a poem written by a former camp servant who was present at the Crater on July 30, 1864. It was included in a book of slave reminiscences published in 1916 by Mary Louise Gaines. The poem was written by “Old Sam” and falls neatly within a body of postwar literature that glorified the Old South and the relationship between the races at a time of intense racial violence and political realignment following Reconstruction. Continue reading “A Camp Servant at De Battle Uv De Crater”
Over the past few days I’ve been working through wartime accounts of camp servants who took part in battles in one form or another. It’s a challenging topic for a number of reasons. As you might imagine wartime accounts authored by camp servants are next to impossible to find for the obvious reasons and the accounts of their masters must be treated with care. Postwar accounts by former slaves, in some cases written decades after the war, are even more difficult to interpret.
In dealing with the wartime accounts one thing I have noticed is that officers did not seem to make any assumptions about how their slaves would behave once a battle commenced. There is very little evidence that they intended for their servants to follow them onto the battlefield. I have found plenty of accounts of masters who specifically assigned their servants to guard their personal items, treat the wounded, bury the dead, assist doctors and a few that expected a meal to be ready once the battle ceased. Continue reading ““I Have Been on the Battlefield””
Yesterday I gave a talk on the myth of the black Confederate solider at the National Civil War Museum in Harrisburg, Pennsylvania. It was my first visit and I highly recommend that you do as well. Thanks to Wayne Motts for the invitation to speak and for taking the time to take me and my wife on a personal tour of the collection. I got to handle some incredible objects, including William Quantrill’s revolver. We had a great crowd for the talk and they asked some excellent questions.
While walking through the exhibit I came across an image of African American men in attendance at a U.C.V. reunion in Tampa in 1927. There is nothing unusual about this image, though unfortunately, the museum labeled it, “Reunion of African-American veterans of the Confederate Army, 1927.” I took a quick pic of it and put it out of my mind until Wayne showed me the original image. At first we didn’t see it it but then someone noticed that at least one of the ribbons clearly states “Ex-Slave.” Continue reading ““Ex-Slaves” Attend Confederate Veterans Reunion”
There are only a handful of images of Confederate soldiers and officers with their slaves or camp servants. The famous tintype of Andrew and Silas Chandler is the most famous, but it is also one of the most unusual images. The photograph of the two was likely taken in August 1861 right around the time Andrew enlisted as a private in the Palo Alto Guards, which became Company F of the 44th Mississippi Infantry, Army of Tennessee.
Most photographs of master and slave show the former sitting with the slave standing behind and just slightly out of focus. Andrew and Silas sit side by side. Both occupy center stage. More importantly, both men are armed. Andrew wears a typical private’s jacket and holds a pinfire pistol while a revolver is nestled in his belt. Tucked into what appears to be Silas’s Short or Shell jacket is a pepperbox, which leaves his large left hand free to grip a rifle across his lap. To complete this unusual scene, both men wield large bowie knives in their right hands.
It is likely that the weapons are studio props. Continue reading “In the Studio With Andrew and Silas Chandler”
I am very pleased to to share my debut article for The Daily Beast, which went live earlier this morning. For most of you the topic offers very little that is new. It touches on the subject of my current book project on the history of camp servants and the myth of the black Confederate soldier, but it does so by examining why the Sons of Confederate Veterans went into mourning over the death of Anthony Hervey.
The original title for the article was, “The Black Man Who Died To Keep the Confederate Flag Flying,” but the editors decided to go with what I suspect is a less controversial title. Thanks to historian Marc Wortman for making the introductions as well as to Malcolm Jones at The Daily Beast for his timely response and enthusiasm.
[photograph of funeral procession for Anthony Hervey taken by Jonathan Lee Krohn]