I am hoping to have a bit of time to take Carol Reardon’s and Tom Vossler’s new Gettysburg guide out for a test run next week at the CWI. The book is right up my alley given its emphasis both on what happened during the time of the battle as well as the many postwar battles over memory. Here is a taste of that approach in a series of videos that Reardon and Vossler recently did for CSPAN. First up is the North Carolina monument.
123rd New York Infantry & Culp’s Hill
24th Michigan (Iron Brigade)
Finally, here is David Thompson’s (Civil War Monitor magazine) interview with Allen Guelzo about his new Gettysburg book. This is a book that I recently finished and highly recommend. David was kind enough to give me the opportunity to ask a couple questions of Prof. Guelzo. I suggested he ask whether beliefs in American Exceptionalism have hampered our understanding of the battle and the war as a whole and whether it is fair to measure every new Gettysburg book with Coddington’s classic work.
The 100th anniversary of the dedication of “Silent Sam” on the campus of the University of North Carolina at Chapel Hill has not surprisingly led to a renewed push to have it removed. These protests have been a regular occurrence in recent years as more people, both on and off campus, interpret both the war and historical context of the dedication through a racial lens. This time the president of the NC chapter of the NAACP is leading the charge.
“The reality is that Sam has never been silent,” state NAACP President William Barber told the crowd. “He speaks racism. He speaks hurt to women – particularly black women. And he continues just by his presence to attempt to justify the legacy of the religion of racism.”
One of those at the rally was 77-year-old Jerry Carr of Chapel Hill, a UNC student in the mid-1960s and 1970s. “I was always irked by this statue,” Carr said. “It was always said that the war wasn’t about slavery – that it was about states’ rights. And that kind of squelched any discussion about it. It’s taken a long, long time to recognize the truth – that the war was about the preservation of slavery.”
Zaina Alsous, a 2013 UNC graduate and member of the Real Silent Sam Committee that helped organize the demonstration, said the group wants people to understand “the painful parts of our history, the part of UNC’s history where we expressed violent racial discrimination, and also to be critical of where we are today.”
Anyone familiar with this blog knows that I am sympathetic to the power of these monuments and the pain that they cause certain people. I’ve been consistent in my belief that regardless of whether the monument is removed or altered in some fashion or whether an interpretive marker is added is entirely up to the relevant parties. Continue reading →
A new fiberglass statue to Stonewall Jackson has recently been added to Lexington, Virginia’s commemorative landscape. The sculpture by local artist, Mark Cline, is situated on private property just north of Lexington on Rt. 11. Cline is best known for his fiberglass sculptures of fantasy creatures and dinosaurs that adorn parks across the country. Among his best known work is a life sized reproduction of Stonehenge made out of Styrofoam. Some of you might be aware of Escape From Dinosaur Kingdom, which is located at Natural Bridge in the Shenandoah Valley and depicts dinosaurs attacking Yankee soldiers.
It is fitting that Cline was given this commission given the larger than life world that Jackson occupies in our collective imagination. I absolutely love it. It’s playful, but somehow still respectful of Jackson. Unfortunately, I can’t locate a photograph that does justice to it. [see here and here] Hopefully, we will have access to some better quality photos soon. Kudos to the SCV chapter in Lexington for their aesthetic judgment.