It is being reported that some of the descendants of slaveowner William Prince Ford are not happy with how he has been portrayed in 12 Years A Slave.
One was his great-great-grandson, 77-year-old William Marcus Ford, who described the film as ‘too dark and exaggerated’. He added: ‘By all accounts, my great-great-grandfather treated his slaves well and did his best for them. ‘He was born at a particular time in history when slavery was accepted throughout the South. ‘It wasn’t illegal. That doesn’t make it right or moral by today’s standards but back then it wasn’t an ethical issue. Northup saw him as a kindly person. He was a highly moral man.’ The film, says Mr Ford, ignores the fact that ‘slaves were regarded as valuable pieces of property and that it wouldn’t be in an owner’s interest to treat his slaves badly’. He said: ‘Good field-hands had worth. They were valued. A skilled craftsman like Northup would have been valued. There might have been a few bad apples, but I don’t think there was widespread brutality.’
The past few decades has witnessed an incredible outpouring of scholarship on the complexity of the master-slave relationship. The institution varied widely depending on both time, place and a host of other factors. No one should be surprised that as much as 12 Years A Slave has made room for meaningful discourse about the history of American slavery, it has also reinforced deeply entrenched positions and ideologies. For many a continued defensive stance is the only response. Continue reading