You may remember that Megan Kate Nelson and I are co-editing a special edition of Common-place on the Civil War Sesquicentennial, which should be published in early 2014. We just finished getting together our list of contributors and it looks awesome. We’ve covered a great deal of ground from how the war is being taught in the classroom to interpretation in museums as well as how the war is being commemorated across the country and beyond. This issue is going to have a little bit for everyone interested in this important subject.
Here is our list of contributors as of today:
- Chris Lese, Teaching Civil War Memory in the Classroom
- John Hennessy, Public History and Memory at the NPS
- Ari Kelman, Native Americans, the West and Civil War Memory
- Frances Clarke, War Memory as a Global Phenomenon
- Carrie Janney, commemoration and reconciliation
- Matt Hulbert, memories of guerrilla warfare (Missouri)
- Manisha Sinha, abolitionism and memory
- Adam Arenson, on going back to the battlefield
- Judy Giesberg on Emilie Davis and digital memory
- Anne Marshall on Lincoln in Kentucky
- Steve Berry—Introduction
- Andrew Talkov–museums
Megan and I seem to be getting along like a monkey and an organ grinder. It’s still unclear as to which roles we are playing.
One of the last independent studies that I advised in Charlottesville was a project centered on female diaries of the Civil War that one of my students used to write her own work of historical fiction. We spent some time looking through female diaries in Special Collections at UVA, including one written by Sallie Strickler of Madison County, Virginia. I am not surprised to find it referenced in Caroline Janney’s new book. I still remember the response of this particular student when we came across the passages below. The experience of holding the actual diary as well as the sense of loss and continued feelings of bitterness made for a memorable experience.
It grinds me sorely to think of our being compelled to give up our best-beloved institutions. I truly believe that African slavery is right. I love it & all the South loves it. It suits us & I do not see how we can do without it. It humiliates me, more than language can tell, to think of our being forced, ay forced, to give up what we love. So well! And that by Yankees. (quoted in Janney, pp. 84-85)
If memory serves me there simply isn’t enough wartime material to merit publication, which is disappointing given the quality of material on the war that is available.
What do you think of this song and video? Is it an effective teaching tool for a certain age range or does it simply promote an overly simplistic narrative of American history that borders on propaganda?
The song “Four Score and Seven Years Ago” sings the opening of the Gettysburg Address and tells of Lincoln, the Civil War and equality in an uplifting American anthem that can be sung by all ages. Designed to be a teaching and performing tool for teachers and choral directors. Documentary versions, one with an instrumental track to be used for performance to video will be released…
Today is quickly turning into another whacky day in the blogosphere. My WordPress dashboard showed a link from Edward Sebesta’s Anti-Neo-Confederate blog. When I clicked over I was shocked to find that I am referred to as a “white nationalist.” Imagine my surprise. Apparently, Ed is not happy with my recent post in response to Jamie Malanowski’s editorial on the changing of the names of military bases.
First, he can’t even spell my last name correctly, but how he arrives at white nationalist based on this post is anyone’s guess. I’ve been called plenty of things over the years, but this is the first time that I’ve been referred to as a white nationalist.
Sebesta is, indeed, a strange character. This leaves me to wonder whether the guy has a few screws loose.
I really had no idea that this was the kind of thing I was missing at Civil War reenactments. This image was pulled from a new photography book on the fascinating world of reenacting titled, Whistling Dixie by Anderson Scott. You can find additional images at the Wired article.
So, is this part of the courting practices of the antebellum South that is being depicted here? I don’t remember ever seeing anything close to this in Gone With the Wind or a Mort Kunstler print.