I am in the process of reviewing the final edits of my Crater book. As I made my way through chapter 1 I came across one of my favorite quotes that appears in the section that explores how white Southerners assessed reports of the massacre of black Union soldiers. The quote comes from the Richmond Examiner, which appeared on August 2, 1864:
We beg him [Mahone], hereafter, when negroes are sent forward to murder the wounded, and come shouting “no quarter,” shut your eyes, General, strengthen your stomach with a little brandy and water, and let the work, which God has entrusted to you and your brave men, go forward to its full completion; that is, until every negro has been slaughtered.—Make every salient you are called upon to defend, a Fort Pillow; butcher every negro that Grant sends against your brave troops, and permit them not to soil their hands with the capture of a single hero.
There is plenty of evidence to suggest that some of the men in the Fourth Division charged into battle screaming “No quarter” and/or “Remember Fort Pillow.” Reports of this battle cry can be found in the letters and diaries of Confederate soldiers who were present during the battle as well as those who were not. They can also be found in many Southern newspapers, including the Examiner. It is fairly easy to judge who was positioned to hear such a battle cry, which raises the question of why the reference is so pervasive in southern accounts.
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Today it is being reported that Urquhart-Gillette Camp No. 1471 of Courtland, Virginia is making steady progress in restoring the boyhood home of William Mahone. The group is currently using it for their monthly meetings, but they hope to expand their operations in the future to include educational outreach. This includes sharing Mahone’s history as a Confederate general, businessman, and politician. According to Greg Bell, who authored the article and is a member of Urquhart-Gillett Camp:
There is a wonderful story to be told about this good man Mahone and his contributions that is not being taught in today’s schools. Preserving this national and state historic landmark is an opportunity that this SCV Camp feels will become something positive for all the public to reflect upon while being taught about Billy Mahone…. I can tell you that when sitting in the tavern during one of the monthly SCV meetings, you can feel the history coming out of the walls. We are very proud to have been able to preserve such a historic place and help to promote the true Southern history through purchasing Little Billy Mahone’s boyhood home.
As many of you know I’ve spent considerable time researching and writing about William Mahone’s postwar career. I published an article on the subject back in 2005 in the Virginia Magazine of History and Biography, which appears in revised form as chapter 3 in my forthcoming book on the Crater. Mahone is clearly an important nineteenth-century Virginian; in fact, a case can be made that he is the most important post-Civil War figure in Virginia. [Click here for an overview of his life.]
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Black Hair Flag by Sonya Clark
The artist is Sonya Clark and her work is currently on exhibit at the Southwest School of Art in San Antonio, Texas. “In Black Hair Flag, the battle flag of the Confederacy is sewn through with black fibers; cornrows make the stripes, Bantu knots form the stars of the Stars and Stripes. The hybrid design that emerges asserts the presence of black people in the making of American modernity.”
I absolutely love this photo. Pictured below are two generations of the Chandler-Sampson family taking the time over the holidays to learn about their famous ancestor. The photo conveys the power of history and reinforces my firm belief that what we do as historians matters. I am sure my co-author, Myra Chandler Sampson, agrees. There is still time to pick up the most recent issue of Civil War Times at your local newsstand. I think it is safe to say that 2011 was a good year for Silas Chandler.
After Virginia no other state has done more to commemorate the American Civil War than North Carolina. Their state commission has done an excellent job thus far of organizing activities that reflect an incredibly rich and complex past. They are doing their very best to make the war relevant to the state’s diverse population by focusing on a wide range of themes from the military to race to memory. I have a number of friends who are directly involved in the commission’s work and I can say with confidene that they are making an impact on a number of levels.
Even with all the work this group has undertaken it appears that not everyone is satisfied. In fact, there are two Civil War sesquicentennial commemorations taking place in North Carolina. The other one is being called the North Carolina War Between the States Sesquicentennial and they even have their own website. The commission is headed by Bernhard Thuersam, who works as a home designer. So, why an alternative commemoration?
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