Earlier today I was going through my collection of original Civil War era newspaper and came across an issue of Frank Leslie’s Illustrated from July 9, 1864. The first page includes this wonderful illustration of the charge of General Hinks’s “colored troops” outside of Petersburg in mid-June. Ohio troops cheer them on in the background. It’s a wonderful find as I continue to explore how white Union soldiers responded to the use of USCTs a few weeks later at the Crater.
It’s a powerful image, but we should proceed carefully in interpreting it. For some it is an image that fits into a popular and satisfying narrative that is framed around slavery, emancipation, military service, freedom, postwar promises of civil rights, and the eventual slide into Jim Crow. From this perspective we may be tempted to dismiss the cheering of the Ohio men as something fleeting or, in hindsight, even insincere. Such an interpretation, however, misses a salient point about white Union soldiers. They were not engaged in a civil rights struggle. Continue reading “Ohio Men Cheer For the USCTs at Petersburg”
This morning I was reminded that today is the first day of the sesquicentennial of the War in 1864. As I alluded to this past spring, it is going to be very interesting to see how the final sixteen months of the war will be commemorated and remembered. There are practical issues of funding, but there is also the turn that the war itself took in 1864. Those of us on the education/public history side of things will have to think long and hard about how we engage the public about some of the more important and challenging issues of the war. Continue reading “Welcome to 1864”
This morning The Civil War Monitor published my review of Linda Barnickel’s new book, Milliken’s Bend: A Civil War Battle in History and Memory.
The past few decades have witnessed an outpouring of Civil War scholarship and more popular studies about slavery, emancipation, and in particular, the history of African American soldiers. As we make our way through the Civil War Sesquicentennial, this scholarship continues to shape and inspire a wide range of commemorative events that highlight the history of these soldiers and the contributions they made to preserving the Union and ending slavery in 1865. Indeed, the history of these men has been front and center during the Civil War 150th, which stands in sharp contrast with the Centennial celebrations of the early 1960s. Much of what we’ve seen over the past few years has been framed around a collective sense that, as a nation, we have a moral responsibility to remember and properly commemorate an aspect of our Civil War history that has been ignored for far too long, minimized, and in some cases, intentionally distorted.
Read the rest of the review.
A couple of years ago Mike Musick – who as many of you know was for a long time the go-to guy for anything Civil War related at the National Archives – contacted me about a recently discovered photograph of Louis Martin of the 29th U.S.C.T. He kindly arranged to have a copy of the photograph and pension application sent to me, which eventually ended up in my Crater book.
At that point the photograph was still not available online. I remember staring at it for what seemed like hours when it first arrived. You can clearly see why. In many ways this image served as a visual reminder of why I thought it was important to use the battle of the Crater as a case study on race and historical memory in American history.
I did a bit of research into his postwar life, but found very little. I knew the year he died and that he struggled with alcohol, but I was unsure as to where he was buried. There is also a question about Martin’s necklace and whether it has an African origin. Continue reading “Remembering Louis Martin”
This video will be featured in a traveling exhibition and shown throughout the state to middle and high school students. It offers a very brief overview of slavery’s centrality to Kentucky Civil War experience. Not sure what I think of the 3d motion graphics when there is such a rich body of photographs and other period illustrations to utilize. It’s also difficult to compress such a complex story in just over three minutes. What do you think?