This past weekend I took part in a conference on the Civil War and public history at North Carolina State University. I heard a number of interesting presentations and I will likely comment on them over the next few weeks, but for now I want to say a few quick words about one specific point made during the course of the day. A number of the presentations, including my own, addressed issues relating to the continued interpretive divide that still exists between historians and segments of the general public. You can guess which organizations were mentioned at one point or another as examples of this resistance. In response to John Hennessy’s keynote address Peter Carmichael encouraged the audience to “declare victory” in reference to the interpretive wars. He is right. Public historians working in a wide range of historical institutions are now interpreting the war from a much broader perspective that includes the stories of individuals and groups, who have for far too long been left out of our collective memory. The difficult issues such of slavery and race are now being explored from every possible angle. Finally, the recent focus on historical memory has made us all more sensitive to the consequences of being left out of the nation’s collective memory.
I’ve been suggesting something along the lines of a declaration of victory for some time now. The calls of “revisionism” and emotional defenses of “Southern heritage” are little more than a reflection of an intellectual bankruptcy that was always present in many of the more traditional interpretations that tended to focus more on emotional defense as opposed to an analytical understanding of the past. John Hennessy hit the mark in his keynote address when he noted that the Civil War is one of the only places in American history where the personal anecdote is expected to frame the national narrative. You know what this looks like: My great grandfather never owned slaves….
On the evening of April 11, the Fort Sumter-Fort Moltrie Historical Trust, the City of Charleston and other groups will remember the first shot of the Civil War at White Point Garden (The Battery), a landmark promenade along the Ashley and Cooper rivers that was used for artillery during the war. The observance will include a concert featuring the music from Ken Burns‘ PBS series Civil War by the original band, Jay Unger and Molly Mason Family Band; the Mount Zion A.M.E. Church Spiritual Ensemble; and the Charleston Symphony Orchestra.
The City Gallery at Charleston’s Waterfront Park will feature restored Civil War photographs of Charleston in 1865, and the Gibbes Museum of Art will host two exhibitions, Stephen Marc’s Passage on the Underground Railroad and A Soldier’s View of Civil War Charleston.
The Charleston Museum is showcasing Threads of War: Clothing and Textiles of the Civil War, City Under Siege: Charleston in the Civil War, and The Life and Times of Congressman Robert Smalls, as well as a lecture series.
Living history programs with Confederate and civilian re-enactors take place April 9-17 at the Fort Sumter Visitor Education Center.
Secessionists, Soldiers and Slaves: The Middleton Family’s Civil War explores the rice culture during the war, the building of Charleston’s defenses and more at Charleston’s Middleton Place plantation.
Look closely and you will see the triumph of social history and a willingness to confront some of the tough questions of race. In April 1961 the top story was the unwillingness of the Francis Marion Hotel to register Madaline Williams, who served as New Jersey’s black delegate to the Civil War Centennial Commission. The commission was scheduled to meet as part of the city’s Fort Sumter celebrations.
Fifty years later and black and white Americans have the opportunity to travel to Charleston to learn. Now, that’s progress on any number of fronts.